Campagnoli, Bartolomeo – 41 Caprices Op 22 for Viola – Arranged by Bartolomeo Campagnoli – 7 Divertimenti, Op 18 – Violin – edited by Enrico Polo – Ricordi. Campagnoli, Bartolomeo – 41 Caprices Op 22 for Viola – Arranged by $ Fuchs, Lillian – 16 Fantasy Etudes – Viola solo – International Edition | The very first chord in particular, with the extended fourth finger, is just barely playable for me on a inch viola. However, after clearing the hurdles, I’ve.
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I had fun working on number 15 – it’s a caprice that tends to play itself. This makes it extra tricky for the left hand, as if any more challenges were needed in a piece like this! With the long slurs, the focus in this piece is definitely on the left hand.
Bartolomeo Campagnoli – Wikipedia
The very first chord in particular, with the extended fourth finger, is just barely playable for me on a Even though they were published in Bonn inonly a few violinists knew about Johann Cam;agnoli Bach’s Sonatas and Partitas.
He studied the violin locally, firstly in Bolognaand then from in Modena with Violla Guastarobba, who had studied with the noted violinist Giuseppe Tartini. After hours of practice, I did find that this piece began to feel enjoyable at a fast clip.
I think you solved it. Number 12, marked Allegro assai, should fly off the fingers and at least give the impression of ease.
During Campagnoli’s time in Leipzig, the violinist and composer Louis Spohrvisiting the city where he was to give a concert, heard Campagnoli play a violin concerto by Rodolphe Kreutzer. I began my professional musical life as a flutist, and spent a lot of quality time as a baroque flutist, but I no longer have my baroque flute. Bartolomeo was born in Centowhere his father was a trader.
Here’s a link to the first publication of the Campagnoli Capricesand one to the publication of the Kreutzer Caprices. I devoted a lot of time to backwards practice here! Elaine Fine I am active as a composera violist, a violinist, a recorder player, and as a teacher. In he published Metodo per Violinoa treatise on violin playing; it can be regarded as demonstrating the style of a transitional period between the Baroque and Classical era.
At the beginning, each measure has a period at the end: He wrote in his diary, “His method, it is true, is viiola the old school; but his play is pure and finished. Views Read Edit View history. But I had to look forward to passages like mm. One thing I admire in this piece is the harmonic rhythm and flow, created out of large building blocks one chord per measure.
Campagnoli, Bartolomeo – 41 Caprices Op 22 for Viola – Arranged by Herrmann – Peters Edition
Furthermore, if Campagnoli wants a fingering that takes you out of first position, he will usually indicate it. As with many of Campagnoli’s caprices, you cannot find even one dynamic marking: He returned home in and played in a local orchestra.
Posted by Elaine Fine at Wednesday, April 03, Campagnoli and Bach? In each, I found that besides the obvious challenge of hitting the right note, I also tended to try to leave it early – even if I nailed it. This page was last edited on 25 Decemberat Therefore, most of this caprice stays in first position.
In he went to Rome and played in the orchestra of the Teatro Argentina. While retaining this post he undertook tours; he toured Sweden in where in Stockholm he was elected a member of the Royal Swedish Academy of Music ; in toured European cities, mainly in Germany and Austria.
The left hand should feel as pliable as possible, as often shifts happen campagnnoli Campagnoli was a virtuoso violinist who toured Europe propagating the 18th Century Italian violin style.
The top line should always be held while the bottom one undulates: However, after clearing the hurdles, I’ve decided it’s one of my favorite caprices. In he was appointed kapellmeister to the bishop of Freising in Bavaria.
They are so musical, and to me, much less dry than the Kreutzer. It lets the viola sing naturally, with simple phrases in the first half and florid passagework in the second. Bartolomeo Campagnoli September 10, — Cakpagnoli 6, was an Italian violinist and composer. He has done an amazing job with the audio and video: In Florence he camoagnoli played in the orchestra of the Teatro della Pergola.
So back to this caprice: