Digitech DSP Pdf User Manuals. View online or download Digitech DSP Owner’s Manual. Digitech DSP Plus, Music Technology, May The manual claims the abbreviations are printed on the top of the unit – but they weren’t on the review. Digitech DSP Plus, Sound On Sound, Apr There’s no indication in the DSP Plus manual of just how the signal is routed from one effects section .

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The best starting point for creating your own programs with this algorithm are the Normalised Reflectivity 0. On the reverse reverb algorithm, the strength and placement of the accent at the end of the reverb build-up can be varied to produce a good range of effects: The file contains manua, s and is free to view, download or print.

Download digitech dsp manual | Diigo Groups

Having checked out the presets I began to investigate the algorithms that lie behind them, and just what kind of effects are available within each. All programming functions on the unit are carried out with the cursor and parameter buttons, and the four-digit LED display provides modest visual feedback.

You can’t save or load just one program, however, so if you digitwch to combine programs from two separate banks you’ll have to note the values of the parameters of one set and enter them manually, sdp that shouldn’t take long.

As it is, any edit you make takes effect immediately.

The manual gives some details, although a few more pages and a little tutorial section would not go amiss. What is lacking, however, is a table to let you assign a program number to any incoming patch change message. Put the lot together – in any one of a number of xigitech – and you can produce some very clever effects indeed. If the digtiech signal processor should do its job without adding any colouration to the sound, the DSP comes pretty close to perfection.

If it is set to Wet you won’t hear a thing. Fiddling around with my MIDI switching unit caused a MIDI error on the Plus – and on other mmanual, too – but the only way to escape from the error was to switch off and on again.

This modeling guitar effects processor has 11 amp models, 22 studio quality effects, an digitech dsp manual expression pedal for real time control of the effects.


Medium room, Delay, Flange Filter 5. Its relative weaknesses are that it manuall not offer quite the flexibility or programming ease of either of its main rivals.

Although any Continuous Controllers apart from Polyphonic Aftertouch can be used to control parameters, Note Velocity cannot, which is a bit of a shame as it’s the means of expression that is most easily available and controllable for the average keyboard player. Whereas the Normalised Reflectivity parameter xsp the reflectivity of all frequencies equally, dP damping allows the relative decay rates of high and low frequency components to be balanced – the simulated environment can therefore be made to sound more or less bright.

Well, EQ is handy to have around but the DSP is primarily an effects unit and I personally wouldn’t worry too much about EQ facilities feel free to worry if you wish. The following listing describes the Operation manuals, service manuals and schematics, RP discontinued The RP is more than the most comprehensive guitar processor you’ll ever play through. After holding down a key for a few seconds the speed at which the parameters scroll increases, minimising sore-pinky time.

Any of the algorithm parameters can be assigned to MIDI continuous controllers. Filter, Chorus, Multi-tap Delay 8. Its strengths are good multi-tap delays, an excellent dedicated reverb algorithm, and realtime MIDI control over effects parameters a feature shared with the Quadraverb.

Unlike so many other units, however, the case is brushed aluminium not matt black – a refreshing change. You can also see the software version number the review unit contained version v2.

These are under control of an overall feedback rate and amount. In the absence of program names, this is really useful. If you’re in the market for a high quality, powerful and versatile effects processor, details like these will determine which of the competing units is right for you, and should you opt for the DSP Plus, you’d be hard pushed to find fault with it. Gated Reverb, Delay, Filter Previous Article in this issue Source Of Inspiration.

Paul Ireson checks out the form. John Walden joins the digital age I found that setting this parameter to more than 7 from dssp a very harsh, artificial sweep, more like a filter envelope closing down sharply than a natural damping.

DIGITECH DSP-128 Owner’s Manual

You can send us a note about this article, or let us know of a problem – select the type from the menu above. I knew you were going to ask that – go back and read the rest of the review. Many parameters will be self-explanatory to most musicians but some, particularly those used with reverb, may not be so obvious. The first six algorithms are the only ones that use all four effects sections, providing various combinations of EQ and mono delay up to milliseconds with chorus or flange, and small, medium or large room reverb treatments.

DIGITECH DSP-128 Manuals

Further variation can be introduced by the delay section, which is placed in series after the reverb. Other, perhaps, than the lack of a MIDI program reference table, the pros and cons balance each other reasonably well. According to the manual, the reverb decay time in seconds is the product of the numerical values of these two parameters: A slight limitation to the usefulness of this realtime control over effects parameters is that changes in parameter values do produce slight ‘zipper noise’ a series of clicks generated as the values incrementbut the pure effect level has to be turned up very high in a mix for this to become obtrusive.

Other articles featuring gear in this article: Interestingly, low values 3 or below seemed to create a kind of flanging or phasing effect.

The Delay simply delays the start of that part of ddsp reverb sound by up to 80 milliseconds, and it is best to set the Early Delay parameter to a lower value than the Subsequent Delay parameter to produce a natural effect.

These multi-tap facilities were the first things to really impress me on the DSP Plus. High values tend to produce a metallic, ringing sound, and low values produce a grainy, dspp sound: As the range of effects is dependant entirely upon the algorithms, I’ll list them here: These determine the volume of the simulated listening environment, and the reflectivity of its surfaces.

Bearing in mind that the input sensitivity of the DSP Plus is switchable to cope with both line and instrument level signals, it seems that Digitech have very much kept the guitarist in mind when designing the DSP Plus.

There are never any problems with the signal getting ‘lost’ anywhere because you forgot to set a particular mix level: